I will be filling this information out over time, along with pictures (when I find them).
Instruments
Tom Scholz:
// Guitars //
• Les Paul Gold Top "Mighty Mouse" (1968)
• Les Paul Gold Top (1968)
• Gibson Collector's Choice #10 Les Paul Gold Top (1968 re-issue)
• Jackson <rarely mentioned>
• Guild D25 "smashed twice"
• Guild G212 12-string
• Gibson SG Standard Bass (worn ebony)
• XL Custom Bass (2004 tour, "The launch")
// Keyboards //
• Hammond B-3 Organ
• Hammond M3 Organ
• Roland D-70 Synthesizer
• Very top keyboard on live setup (to be named later)
Gary Pihl:
// Guitars //
• Fernandes Revolver [+ Sustainer 401] (Custom Model)
• Fernandes Twin Neck [+ Sustainer 101] (Custom Model)
• Steinberger GS Black [+ Sustainer 101]
• Steinberger GS Trans-Trem Tobacco Burst [+ Sustainer 101]
• Bisceglia Stella with Steinberger GS Neck [+ Sustainer 101] (Custom Model)
• Takamine (to be named later)
• Takamine (to be named later)
• Yamaha (to be named later)
// Keyboards //
• Roland D-70 Synthesizer
• Clavinet
More coming when I find free time
Boston's Gear
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Boston's Gear
Last edited by iZheil9152 on Mon May 18, 2015 7:19 pm, edited 4 times in total.
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Re: Boston's Gear
reserved for future comment
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Re: Boston's Gear
I'll play. It looks like both Gary and David have a "clean" (CLN/CLN2) and "distortion" (DIST/EDGE) Sustainors. They both have the MIDI Octopus to control things. I wonder where the PGE2's and Smart Gates sit in the lineup? The output of the Sustainers?
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Re: Boston's Gear
What I wonder is why the Rev 20 is Gary's clean sustainor while the prominent features of the unit are in the distortion settings. Mainly the autocleanrbc wrote:I'll play. It looks like both Gary and David have a "clean" (CLN/CLN2) and "distortion" (DIST/EDGE) Sustainors. They both have the MIDI Octopus to control things. I wonder where the PGE2's and Smart Gates sit in the lineup? The output of the Sustainers?
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Re: Boston's Gear
Maybe he likes the blue face Sustainor distortion better?iZheil9152 wrote:What I wonder is why the Rev 20 is Gary's clean sustainor while the prominent features of the unit are in the distortion settings. Mainly the autoclean
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Re: Boston's Gear
You also have too consider that Gary has way different guitar parts, solos, and sound than Tom.
I also think that over the last few years that Toms live sound has gotten better and his studio sound has devolved.
I also think that over the last few years that Toms live sound has gotten better and his studio sound has devolved.
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Re: Boston's Gear
Tom's studio sound has devolved? I don't agree with that at all. Listen to Third Stage and then compare that to LLH. LLH has way more definitition and clarity i. The guitar tracks.
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Re: Boston's Gear
I'll wildly speculate in another direction. Maybe it was a bad week on the road and the distortion circuit in the Rev 20 was broken?iZheil9152 wrote:What I wonder is why the Rev 20 is Gary's clean sustainor while the prominent features of the unit are in the distortion settings. Mainly the autoclean
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Re: Boston's Gear
And I'll throw another one in.... perhaps being in a band with so much going on sonically, they each need much less distortion.
Plus, I don't see dozens of Sustainors in each rack. They're not nuts like us. Maybe a 100 Sustainor is enough to get the job done (or simply has the right tone, or a different tone).
Plus, I don't see dozens of Sustainors in each rack. They're not nuts like us. Maybe a 100 Sustainor is enough to get the job done (or simply has the right tone, or a different tone).